Uploaded by bellaunioninc on 2017-04-12.

Video for "Thalassa (Farewell)" on the album titled "Thalassa" by Oluf Dimitri Røe and family. The album is released by Etnisk Musikklubb. Footage by Bjørn Røe from travels in the Aegean Sea in the ´70s. Edited by Marianna S. A. Røe Oluf Røe: Violin, mandolin, vocals Marianna S. A.

Ειμαι ενα νορβηγοελληνικο υβριδιο, οποτε εκανα την δικια μου υβριδιακη διασκευη του παραδοσιακου αυτου τραγουδιου της Θρακης. Ηχογραφημενο live με loop pedal. Χωρις τον αδερφο μου δεν θα υπηρχε βιντεο! I am a greek/norwegian hybrid so here is my hybrid version of this traditional song about forbidden love, from Thrace.

http://www.wauwatosa.no https://wauwatosa.bandcamp.com http://spiritlevel.com - - - - - Sigurd from Wauwatosa says: "Like most Wauwatosa songs, this song is a puzzle of samples and recordings from improvised sessions. I remember sitting on the plane to visit my sister in Malawi, listening to a recording of an improvised session with Vegard Holum (trumpet), David Aleksander Sjølie (guitar) and myself (drums and samples).

Preview of an installation for my grad show at LCC, London. This installation aims to convey the office space and the memorial church from an old barium mining area in Mykonos, Greece. Active between the 1950s and the 1970s, the Mykobar mines are a big part of the history of the island that have gone undocumented. The mines created hundreds of jobs for people who were poor and hungry after the war, but also claimed lives, both inside the mines and the "miners illness" later. The American company that was called Mykobar left the area untouched after they left from island, and the council took no responsibility in cleaning up. By interviewing people who worked there, I made a soundscape and played it back in these two spaces, the office and the church that was built to commemorate those who have died. By playing it back and recording it, playing it again and re-recording it in an Alvin Lucier-manner ("I am sitting in a room") the piece explores ideas of documentation, memory and ultimately decay. In the installation, the videos will be looping on two screens while the sound is playing. It will be presented in a dark room, in order to create a focused atmosphere and eliminate possible distractions within the room itself.

Learning to Listen is a documentary film crossing the dividing lines of experimental music and Sound Art. It is a series of accounts from established artists discussing their work in relation to shifting movements in creative thought and process. The sonic sense is explored through performance, improvisation, technology and sound art. Learning to Listen intends to inform a new audience of work beyond the confines of commercial and traditional sound making. Discourse takes place across the cities of London, Berlin and Amsterdam. Featured in the film: Ed Baxter, Clive Bell, Kevin Chan, Viv Corringham, Peter Cusack, Paul Freeman, Sylvia Hallett, Ig Henneman, Derek Holzer, Christina Kubisch, Willem de Ridder, Carsten Seiffarth, Jasper Stadhouders, J Milo Taylor, David Toop. http://karmajunkie.wix.com/learning-to-listen